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The Power of Narratives in Propaganda
The Power of Narratives in Propaganda

Muriel Fischer (ed.), Sandra Frimmel (ed.), ...

Global Narratives of Russian Disinformation

From the Cold War to the present day, we can observe how (pro-)Russian narratives are regionally tailored, internationally disseminated and appropriated by various political, economic or cultural actors for their own purposes.While some narratives might originate from literary fantasy, science fiction or national myths, others draw on historical narratives and reproduce them. Russia often claims an anti-imperialist, anti-fascist or post-colonial intention in order to conceal its own imperialism and fascism. The contributions in this book document these narratives in their...
  • Russia
  • analytics of power
  • intelligence sercive
  • propaganda
Current Texts

Dieter Mersch

Digital disrupture

We really need an analysis of algorithmic conditions and their paradoxes and ambiguities that gives them an adequate framework and horizon. But instead we currently seem to be finding an algorithmic solution of the algorithmic, much as digital solutions are being offered for the problems of the digital public sphere, in the way that IT corporations, for example, use exclusively mathematical procedures to evaluate and delete “fake news,” inappropriate portrayals, or the violation of personal rights. This tends to result in a circularity that leaves the drawing of boundaries and raising of barriers solely to programming, instead of restoring them to our ethical conscience and understanding of what the social could mean today. The machine, by contrast, remains alien to any mechanical limitation—just as its inability to decide lies in the impossibility of self-calculation. The nucleus of digital culture should instead be sought where the cultural of culture is located:...

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Photographs tend to suggest infinity
Photographs tend to suggest infinity

Siegfried Kracauer

The Photographic Approach (1951)

The photographic approach – that is, the effort to utilize the inherent abilities of the camera – is responsible for the particular nature of photographs. In the days of Zola and the Impressionists, the properties of photographs were commonly held to be the hallmarks of art in general; but no sooner did painting and literature break away from realism than these properties assumed an exclusive character. Since they depend upon techniques peculiar to the medium, they have remained stable throughout its evolution....
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  • media theory
  • photography
  • Siegfried Kracauer
  • History of photography
  • film